My artwork strives to create experiences that are both disturbing and strangely reassuring, bridging the gap between the ridiculous with whatever lays at the other end. It exists within the border zone of realities; the intersection of existential dread and childhood wonder; the cross-pollination of internet folktales and lived experiences.
I dissect the aesthetics of disorientation and the weird using sound, light, theater and digital anthropology, reassembling those elements into something grotesque, playful, and oddly tender. My greatest inspirations are ultimately equal parts dreamcore, surreal settings, liminal spaces, the necrotic nostalgia of vaporwave, and the vintage cartoons’ distortion. The goal isn’t to replicate innocence but to replicate how memory warps innocence.
Consider it a form of treatment for the collective dissociation of the internet. Or maybe a sophisticated coping strategy wrapped in playful absurdity. Either way, you’re invited to linger in the discomfort.
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cold-correct-analitic-kind
2017 – Duology of Debot for violocello solo (12′)
2020 – Por Vía Intravenosa (Intravenously) for electronics (37′)
2021 – Flaming Requiem for 8 singers (29′)
2022 – Limen2 for double bass, pedal electronics, and fixed media (10′)
2023 – everything was just liminal for 3 dancers (20′). A collaborative work with dancer Juliana Garaycochea
2023 – Made from Guilt for dizklavier, 8 channel tape & and live electronics, and lights (13′)
2024 – Church of Fun for an organ player and a Preacher (12′)
insane-astute-forgetful-quick
2018 – Duology of Eves for viola solo (13′)
2018 – SOR operetta in 3 acts for 2 human sopranos and 3 artificial sopranos (20′)
2019 – I/O (i u o) for 3 clarinet players (15′)
2019 – Legítima Mea for pipe organ (10′). In collaboration with Eneko Lacalle Berasategi.
2021 – A Hell In-Between sound installation for 12 speakers
2022 – I Feel Fantastic for ensemble, 4 soloists, electronics, an android, and a human (10′)
2022 – Welcome to the Shitshow! demo-piece for smartphones. In collaboration with the Sonology department of l’ESMUC
2023 – GEBURTSTAG video essay (11′) / Mur
2025 – THIS IS MY DOOSMDAY an inmersive multi-channel dance theater experience for 3 performers (1º)
blue-emotional-griever-intense
2019 – Duology of Lur for trombone solo (12′)
2019 – AMAIA for tenor saxophone and fixed media (5′)
2019 – ESTRELLES (Stars) for electronics (7’30”)
2021 – L’Ontologia de Nela: com fer de la teva gossa una pianista d’èxit (The Ontology of Nela: how to make your dog a successful pianist) for piano and electronics (12′)
2023 – Su Ikustezinen Faktoria (v3) for percussion duet and 8 channels tape (9′)
2023 – Sagartxo Txiki for piano solo (9′)
2024 – Reasons to Stay for solo performer (5′). A collaborative solo piece work with dancer Pamela Banchetti
2025 – what shines beneath for grand ensemble (14′). Commisioned by Acht Brücken|Musik für Köln.
2025 – Forget Me. a circus act (55′). A collaborative solo piece work with dancer Pamela Banchetti.
odd-curious-clumsy-playful
2020 – Duology of Neba for 7 singing bowls and live electronics (15′)
2020 – The Descendants of Galileo or the Adventures of his Fantastic Telescope for string orchestra, brass quartet, and 2 percussionists (25′)
2022 – El Archivo del Recuerdo Anónimo (The Archive of the Anonymous Memento) for traditional Spanish percussion and fixed media (13′)
2022 – Backrooms Resonance Project: User Manual for 12 speakers (10′)
2023 – Backrooms Resonance Project: The Auditorium for oboe, violin, 16 channel tape and lights (14′)
2023 – Backrooms Resonance Project: User Manual for 64 speakers (10′)
2024 – Backrooms Resonance Project: Balloons! for for small ensemble, tape, space, video and lights (10′)
2025 – Backrooms Resonance Project: Serenity for 8.1 spearkers (16′). Premiered at LIMINA Festival in Salzburg.